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Spring 2000
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Colorful Stories
Art quilts by Faith Ringgold tell about African-American women…

Hat Trick
Millinery instructor helps cancer patients look and feel better…

Choreographing a Romance
City College presents West Side Story…

Evolution of a Biology Professor
From science to info technology…

Web Pioneers
Faculty who led the way in computer use for instruction

Sweet Rewards
Free computer training for faculty, staff…

Academic Stepping Stone
Middle College is springboard to higher education…

Chancellor's Column
We must face challenges with determination…

Development News
Fund-raising activities…

Factoids
Miscellaneous tidbits of news…

Newsmakers Accomplishments by faculty and staff…

Colorful Stories

Faith Ringgold, one of the top African-American artists of the story quilt genre, brought examples of her work to the Mesa College art gallery this spring in celebration of Black History Month.

Her works are not bed linens or traditionally pieced quilts, but rather wall art narratives of the African-American experience, often depicting the empowerment of African-American women.

These massive story quilts—typically 5’x7’—combine painting, quilted fabric and story telling. Ringgold’s style is to artfully blend historical and fictional characters in her stories, thus rendering social, political and cultural statements.

Born in Harlem in 1930, Ringgold acquired her passion for textiles from her mother, a seamstress and fashion designer, and her love of oral tradition from her story-teller father. After studying art and education, and with a master’s degree in fine art, Ringgold taught art in the New York public schools. When she took up painting, her images were inspired by the writings of James Baldwin, Malcolm X and Martin Luther King.

Ringgold started making quilts 20 years ago as a tribute to her mother. Simultaneously unable to find anyone to publish her autobiography, Ringgold decided to write her stories on the quilts.

A professor of art at the University of California, San Diego, she has exhibited in major museums worldwide and her work is in the permanent collection of the Studio Museum in Harlem, the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art and the Museum of Modern Art.

You can view images of Ringgold’s work at www.faithringgold.com. Look closely and you’ll see that Ringgold frequently frames her quilts with hourglass blocks—interestingly, one of the 10 blocks of the Underground Railroad Quilt Code, the one signifying dressing up to go to church.


 


Faith Ringgold,left, and her studio assistant, Mesa College alumna Grace Welty, stand in front of “A Family Portrait” (1997, from the artist’s collection of quilts) an 80”x80” acrylic-on-canvas painting framed by a painted and pieced border.